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cyma forma ALT | Generative Analog Pin-Matrix Soundscape Synthesizer
cyma forma ALT | Generative Analog Pin-Matrix Soundscape Synthesizer
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Generative analog synth
ALT is an analog synthesizer designed for drones, soundscapes, and complex generative melodies. It can be played precisely, with great control over melodies and rhythms, or it can be guided to play itself, creating magical, random surprises. It has eyes and ears: two light sensors and a built-in microphone that allow for spontaneous sound modulation based on its environment.
ALT is an exploration machine.
ALT has many sources: 5 oscillators, a white noise, a microphone…
The oscillators have different shapes, different frequency ranges, they can be independently panned, and detuned and their frequencies can either be free, or follow one of 14 scales. All scales can be edited and notes can be removed and brought back quickly for modal changes on the fly. There are two tuning systems to chose from: equal temperament or just intonation.
Give character to your sound
ALT’ effect section includes two filters and a delay, which can also be used on external audio, like an effects pedal. Both filters are stereo, in series. They can be low-pass, high-pass, and everything in between, allowing for precise band-pass control. Their resonance can go to extreme levels, self oscillating, creating two extra voices. Filters have special performance buttons called ripples.
The delay is very powerful, capable of creating an infinite feedback loop that never stops growing. It has a performance button too, called more, that is quite self explanatory.

Initiate motion
The modulation pin matrix is where the sound is set in motion. Create movement in 19 different parameters using 4 modulation sources. The sources are two LFOs, a sample and hold called Random and an enveloppe follower called Outline. The LFOs have a high rate switch for FM an AM synthesis.
Outline is special, it can use the signal from the microphone, or the jack input (audio or CV), and use it to modulate anything. This allows you to sync ALT with its surroundings: your voice, claps, a drum machine, a cv sequencer… anything really.
Amongst the matrix destinations is a strange arpeggiator that uses the modulation amplitude levels to trigger voices in different orders. ALT can be guided to play ever-evolving melodies and rhythms. All of this being controlled with pins.

At the core of the ALT lies a unique 5-voice sound generation architecture paired with a tactile 5-key mechanical keyboard cluster and individual voice amplitude sliders. Pitch tracking is governed by a highly advanced Harmonic Quantizer featuring 14 distinct, fully customizable scale presets (ranging from Balinese Pelog to Hijaz) across both Equal Temperament and Just Intonation scales. To breathe fluid, unpredictable life into these oscillators, the center panel features a tactile 4x19 pin modulation matrix. Utilizing small 2mm banana pins, performers can route four complex modulation sources directly into 19 individual destinations, completely bypassing traditional patch cables for an immediate, touch-responsive signal patching flow.
FAQs
FAQs
Q: Can I plug an external instrument into the ALT and use it just as an effects processor?
A: Yes, absolutely. The ALT features a dedicated 3.5mm "Outline" input jack on the back panel that accepts line-level audio or control voltage signals. You can route external drum loops or a separate synth through this jack, which automatically maps it to the internal envelope follower. From there, you can use the pin matrix to route that incoming audio signal to modulate the filters, the BBD delay speed, or drive the analog voice cores, effectively treating the ALT as a high-end, touch-patchable stereo filter bank.
Q: How do the built-in light sensors affect the sound during live tracking?
A: The two optical light sensors behave exactly like a built-in optical Theremin. They continuously read the ambient light levels reaching the faceplate. By simply waving your hands, moving a flashlight, or changing the shadows above the instrument, you generate macro modulation cv signals. By default, these map to the master pitch and spatial volume blocks, allowing you to manipulate complex stereo panning and wild frequency vibratos without ever touching a knob.
Q: Can I play the ALT like a traditional polyphonic synthesizer using a standard MIDI keyboard?
A: Yes. When you connect an external MIDI controller via the USB-C or TRS mini-jack ports, the ALT can be toggled into a specialized "Voice Splitting" mode. In this configuration, it operates as an expressive 4-voice polyphonic synthesizer (assigning your notes across DCO2 to DCO5) that dynamically reads incoming MIDI pitch-bend, note velocity, clock sync, and channel aftertouch messages.
Specifications
Specifications
Product Format: Generative Analog Desktop Soundscape & Drone Synthesizer
Enclosure Architecture: High-gloss transparent Plexiglas top panel secured to a heavy-duty powder-coated steel chassis
Oscillator Core Array: 5 x Discrete Analog Oscillators (1 x Sine Wave VCO, 4 x Sawtooth/Triangle DCOs) + 1 x Analog White Noise Generator
Pitch & Tuning Framework: Harmonic Quantizer with 14 editable factory scale presets, supporting both Equal Temperament and Just Intonation
Frequency Range Response: OSC1 (Sine): 8 Hz to 8372 Hz / OSC2–OSC5 (Saw/Triangle): 16 Hz to 9000 Hz via matrix modulation
Physical Control Interface: 5 x Continuous volume sliders, 5 x Mechanical keyboard trigger switches, dual light sensors (theremin-style control)
Patching Matrix Configuration: 4 x 19 Modulation Pin Matrix (Utilizes low-profile 2mm banana pins)
Modulation Signal Sources: 2 x Morphing LFOs (Square to Triangle shapes with high-rate FM/AM switches), 1 x Sample & Hold Random Step Generator (with slew smoothing), 1 x "Outline" Envelope Follower
Acoustic Character Effects: Dual stereo Sallen-Key filters in series (High-pass/Low-pass crossfade routing) + Stereo BBD-emulation analog-core delay (30ms to 1.5s delay range with "More" infinite loop feedback multiplier button)
Audio & Control I/O: 1 x 3.5mm External Input (Audio/CV to Envelope Follower), 1 x 3.5mm CV Master Pitch In (1V/Octave), 1 x 3.5mm Master Gate VCA Input, 2 x 6.35mm (1/4") Left/Right Main Line Outputs, 1 x 3.5mm Headphone Jack
Digital Connectivity: Multi-Channel MIDI In over USB-C or 3.5mm TRS Type-A (Supports monophonic, voice splitting 4-voice polyphony, velocity, aftertouch, and clock sync)
System Power Specifications: Included external multi-region +15V DC, 2.5A power supply (Center positive)
Dimensions & Net Weight: 404 mm (Width) x 227 mm (Depth) x 57 mm (Height) / 3.8 kg
Returns & Refunds
Returns & Refunds
If you decide a product is not suitable within 14 days of delivery, you can return it to us for a replacement or refund. Returns must be unused and in their original, undamaged packaging.
Some items are excluded from our money back guarantee:
- Computer software that has been unsealed or registered
- Any item that comes directly into contact with the nose, ears or mouth
To arrange a return, just contact our customer service via our customer support form.
Warranty
Warranty
Every product at Blip comes with a full manufacturer's warranty for long-term peace of mind. As a specialist UK retailer, we fully support your statutory rights under the Consumer Rights Act 2015. If your gear arrives faulty or develops an inherent problem in the first 30 days, we will provide a full refund or replacement. For faults developing after 30 days, we will facilitate a swift repair or replacement through the manufacturer's official service channels to ensure your gear is back in the studio as quickly as possible.
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