TouellSkouarn Kemmeskañ | 6-Channel Germanium Feedback Mixer

60HP Germanium Stereo Mixer

More than just a mixer, the Kemmeskañ can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

• 4 X mono inputs (with direct out)
• 2 X stereo inputs
• Gain, Aux, Pan, Volume, Mute, Feedback
• Aux send with stereo return
• 6 X CV controlled feedback
• 3-band master EQ, cut and boost
• Master send/return
• Balanced (6.35) and unbalanced (3.5) outputs
• Headphone output
• Works with modular and line levels

Step beyond basic volume summing and turn your mix bus into a volatile, sound-sculpting instrument. Handcrafted in Brittany, the TouellSkouarn Kemmeskañ (Ref: TSKKM) is an extraordinary 60HP performance console and spatialization module driven by vintage Germanium transistor circuitry. Engineered specifically to handle harmonically unstable signals, hot eurorack voltages, and creative signal manipulation, this mixer rejects clean digital sterility, injecting organic warmth, saturating warmth, and aggressive distortion directly into your master tracking loops.

The layout hosts an optimized 6-channel setup containing 4 mono inputs (each fitted with an individual direct output path) and 2 dedicated stereo inputs. Each individual channel strip contains dedicated knobs governing Gain, Aux Sends, Pan, Volume, and Mute functions. The ultimate sonic breakdown of the Kemmeskañ lies in its internal modulation routing: it features 2 independent voltage-controlled feedback loops paired with a deep, highly musical 3-band master EQ stage, allowing performers to physically drive the console back into itself for earth-shaking sub-basses and screaming analog overtones.

Blip Expert Take

The Kemmeskañ is an absolute monster of a mixer, and it is the ultimate soulmate for complex analog physical-modeling gear like the 6-voice Morphor Echon 6. Because the Echon 6 splits its individual string voices across 6 separate mono paths, the channel configuration on the Kemmeskañ accommodates the synth natively. You map the 4 main priority voices to the mono strips and drop the remaining 2 into the stereo paths.

The true magic occurs when you tap into the Germanium feedback matrix. The Echon 6 loves to re-inject its audio back into its BBD cores; routing those signals through the Kemmeskañ's CV-controlled feedback loops allows you to use external modular LFOs to rhythmically bend the analog saturation amount. It sounds beautifully deep, dark, and wonderfully dangerous.

Who Is This For?

Experimental Noise Artists: Musicians who view a mixer as an active sound generator and want to explore no-input feedback drone soundscapes.

Industrial & Techno Sound Designers: Performers looking to slam analog percussion modules or string resonators into vintage transistor circuits for rich harmonic overdrive.